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MLA Phaedra Print E-mail
Sep 05, 2005 at 08:51 AM

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The Duality of Culpability in Phaedra

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            Greek mythology has become multifariously instructive to all those who’ve succeeded it, serving not just to illuminate the literary tradition of its people, but also to serve as recorded documentation of their history.  The lives of the Greeks are elucidated in mythology through portrayals that, while centered on royalty and gods, nevertheless are precipitated by conflicts that are above all else human.  Beneath the posturing and statesmanlike gravitas which is part and parcel to the projection of nobility, even the progeny of the purest bloodline is vulnerable to the complexities of that central theme; the human condition.  The Greeks foundational writings in the mode of tragedy laid the groundwork for future expressions of the cruel twists of fate that are omnipresent in civilized human interaction, offering proof that even through millennia of evolution, spiritual reformation and ethical redefinition, human beings must all endure irony, misfortune and retribution.  The story of “Phaedra,” an installment in the book of Hippolytus, and a corollary to the saga of the great Greek warrior king, Theseus, is a tragedy of such a proportion, offering a vexing duality of interpretive possibilities.  Indeed, it is not the plotline or outcome of “Phaedra” that is crucial to our understanding of the characters, as the inevitable results seem most assured from the outset by explicitly morbid foreshadowing. Instead, this story is a study of that most elusive affliction of the human condition, love.  The Jean Racine interpretation of the ancient Greek text conveys a story that is driven by emotion ration than plot, with the internal struggles of Phaedra and Hippolytus spilling over into manifestations of complicity.

 

 

Works Cited

 

 

Hughes, Racine. Phedre. New York; Farrar and Straus, 1998

Human Resources-Issues and Planning Print E-mail
Sep 05, 2005 at 08:51 AM

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Human Resources: Issues and Planning

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            The context of organizational dynamics in a cumulative view incorporates a broad range of topics that are pertinent to the workplace. Understanding the characteristics of a given organization and, more importantly, the people who are employed there, will assist in identifying with employee needs. This can integrate numerous characteristics within the workplace that a successful employer must understand and recognize. But also, understanding organizational dynamics goes alongside recognizing the organizational culture, and the likelihood of continuous success relies upon the human resources manager. The recent swing in human resources development (HRD) seems to support this assertion, and managers/CEO’s are realizing HRM’s invaluable contribution to an organization. Some of the key questions in HRM are about communication and opening relationships between employees/managers and managers to partners. Indeed, effective communication is at the crux of effective human resource management, which in turn, develops a stable relationship among employees. However, the issues facing human resource managers are not only expanding, but they are becoming increasingly difficult. In view thereof, HRM’s do not solely concern themselves with communications in the workplace; therefore, this discussion should not be narrowed to such a limited area. Instead, the focus will reside within human resource manager’s influence on employee productivity, communication, and the importance of planning and implementing change.

Da Vinci's Humanizing Last Supper Print E-mail
Sep 05, 2005 at 08:49 AM

Da Vinci's Humanizing Last Supper

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            Leonardo da Vinci is one of history’s most diligent autobiographers and yet, the breadth of his brilliance was so wide as to leave us with a perpetually complex and enigmatic figure.  Though perhaps the bulk of his notoriety in popular culture is derived from The Last Supper and The Mona Lisa, two Renaissance Era masterpieces of inimitable fame and importance, the categorical depth of his interests and accomplishments is expansive.  And completely contained within the framework of artistic achievement, his wealth of knowledge, ingenuity and capability are all central to the accomplishments of his art.  Ironically, his limitless intellectual capacity could also be a negative factor in the pursuit of lasting artistic greatness, even suggesting the possibility that visual art was not a top priority for the mathematician, athlete, philosopher, political theorist and religious scholar.  His Last Supper, originally completed in 1498 as a commissioned adornment of a dining hall in the Santa Maria delle Grazie convent in Milan, is a prime example of this dichotomy.  Da Vinci reveals a combination of cold hard intellect, painstaking craftsmanship and an uninhibited tendency toward experimentation in a painting that tells an emotionally driven story about both its subject and its creator.

            A primary thing to consider when viewing the piece is the context in which it was conceived and carried out.  Da Vinci’s skills as a painter were well-appreciated by the public and this was a piece for which he was paid handsomely.  More to the point, the subject was the brainchild of his employer.  He had been instructed to craft this piece across the convent’s wall in accordance with the bible verse which inspired it.  The image has become the universally accepted visual depiction of Jesus Christ informing his disciples that one of them would betray him.  Da Vinci operated under the impetus of capturing this moment.  What is most immediately striking about the image is the thematic decision which informs it.  Where a conventional pre-Renaissance depiction of Christ sought to capture his glory and the righteous peace which dressed the countenances of his followers, the Last Supper is an explicitly humanistic portrait of the bible’s words.

 

 

APA Theology & Counseling Print E-mail
Sep 05, 2005 at 08:48 AM

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Running head:  THERAPY AND THE BIBLE

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Faith and Counseling

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            Religion and therapy, as well as its counterpart known as science, have been separated throughout the course of past centuries due to divergent reasons. Many never considered the two to be integrated considering the potential hindrance religion had to the contribution of theories such as Darwinism, and Freudism. Immanuel Kant hastened the separation by suggesting that while both science and religion could be logical in their approaches, their spheres of interest and authority were autonomous from one another. Science pertains to experimental method to understand the natural world, whereas religion applies its ethical reasoning to address human problems of moral choice. Because they occupy two different realms, conflicts between them could be "resolved" by mutual avoidance.[1] However, as practiced science becomes incorporated with religious thought, this paper will examine the steps that should be avoided and taken in merging the two concepts together in therapy.



[1] Barbour. (1966). Issues in science and religion. New York: Harper Torchbooks, pp. 69, 77

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Sep 03, 2005 at 07:50 AM

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